
drew this sketch of my friend, Clifton. He thinks I made him look like a thug. He usually has this wolfish expression when looking at a woman... which is often.






Forgive me If i uploaded this before, I really dont remember, and I may sincerely be having a senior moment.... wierd thing about "senior moments" is that the senior in question doesnt KNOW they're having one....
"Kool" is something so undefinable that you cant really describe it, you can only point at it and exlaim , "there it is!" when you see it. Kool is that unexplainable "IT" that makes you just LOOK at a person in awe and wonder. Bruce Lee had IT... James Dean, and Elvis had IT... and so did THIS guy I caught on the Brooklyn bound L train this afternoon. He wasnt doing anything special, just sitting there with his shades and that hair, but he had this prescence that was unmistakable. My frist quick sketch of him made his look a little older and weaker, but there was still something I liked about it, so I decided to develope it more. My 2nd attempt at his was the most satisfying, and even had a touch of cold, cool menace and attitude behind it. I regret overworking the backgrounds on both pictures, which I feel distracts too much and takes away from the visual punch. It just goes to show you how an otherwise excellent picture can get ruined because the artist doesnt know when to stop!


I couldnt resist drawing her pretty! She had me under her spell. I admit it.Eric, had that quick disarming type of wit that put you at ease and made you feel she was laughing with you and not at you. She was very poised, funny, and charming. I simply couldnt draw a busted looking picture... but That doesnt mean Im gonna fall under EVERYONE'S spell.


Done a Lot of parties in the last coupla weeks. My body actually started to "rebel" against drawing so quickly at first. Ive been doing so much studio work where I take my time, do a lot of practice sketches, look at photo references, and then carefully model and shade in the caricature, that I "forgot" that i have to crank out these things in 23 minutes. I could take five whole minutes but for me it defeats the whole purpose of a party where the host wants you to move fast so the maximum amount of people get drawn. At parties you quality of line is king.






I was approached by an indy playwright/director to do a caricature/cartoon poster for his two person play, Manuel Vs. The Statue of Liberty. The main character, Manuel, had such an intriguing face I knew I wanted to draw it on the spot. I wish I could have exaggerated it more, but when you're doing work like this, it's more important to please the client and give them a recognizable picture of the subject, and not just your artistic rendition. 