Jughead is my favorite character. Out of all the characters in the ARCHIE COMICS universe, JUGHEAD is the most "self actualized" . Jug is in total control of his emotions. He Never gets upset, and has almost a spiritual air about him. As the Drummer for the band, he's literally the one who "keeps the beat" that others follow to. Although known most for his voracious appetite, he is also very artistic, having done in the comics, performance art, and painting. In his interactions with the other characters,Jug is always unruffled, and not in a hurry. Even Reggie when he tries to harass him with his trademark cruel practical jokes, they all somehow end up backfiring. Jug just has a cool vibe.
As with all of my Riverdale make overs, on the ipad, as Im painting/drawing I make up little "back stories" to get into the character, so here's JUGS Backstory...
If you've ever read the Little Archie series where the Riverdale gang are depicted as children, you'll notice that JUGHEAD has this enormous size HEAD and the ever present crown. Reggie Mantle, being the pain in the butt that he is one day Young Forsythe (Jughead's Real name) and says, "Look at the size of your WATER HEAD!! It's like a JUG!" Reggie laughs at his own joke, and proceeds to tease him all day with the new insult, "JUGHEAD" Now Jughead, being the cool character that he is, turns insult into victory by NOT reacting negatively to the name, but by not only answering to it unemotionally, but also introducing himself to others as JUGHEAD JONES. Reggie storms off angry that he did not succeed in ruffling Jughead's feathers, and the nickname sticks.
JUGHEAD also can stand for the ever present hat that he wears. In my "RIVERDALE UNIVERSE" Jughead is NEVER with out a hat, or a "JUG" on his head, and in additions to the crown, which is his favorite wears several others.
once again, this seems like a LOT of excessive thinking, to "just draw a picture" but as creators, we have to "breathe life" into our creations, and one way to do that is through the use of "back story" as talked about here. This is just another of my winning methods to help bring my cartoons to life.
Dont worry, Im saving the gurls for LAST! there's still Veronica, Betty, Miss Grundy, Midge, and my favorite, BIG ETHEL to do! For my next project, I think I'll draw DILTON DOILEY, Riverdales official "Nerd"
Glad you folks are enjoying this series, I initially thought it up as a way to practice my digital Ipad Painting, but like most art it has taken on a life of its own!
Friday, October 15, 2010
ipad cartoon of REGGIE MANTLE from "THE RIVERDALE HIGH" project by Elgin Subwaysurfer Bolling
The way I see it, in the ARCHIE COMICS universe, REGGIE MANTLE is the coolest character. Reggie stands out from the rest of The Riverdale cast of characters because we know so little about him. I'm not a "die hard" ARCHIE COMICS historian, but I've read the series enough to never recall EVER seeing Reggie's parents or any other family member for that matter. Why is that? I think because the original writers of the ARCHIE COMICS series wanted to pen him as the "villain" Archie's nemesis, and as such, we couldn't make him as "human" as Archie. To give Reggie brothers and sisters, not to mention loving mom and dad, would definitely turn the barometer down on the Reggie Mantle "hate " factor. But we DONT hate Reggie, do we? Reggie is a kind of lovable rouge. He's not rich, but always seems to have money. He drives a fancy car, has no problem with the ladies, and gives Archie a run for his money with Veronica, who I feel , is Reggies natural "soul mate". She knows it too, which is why she cant stop dating him occasionally.
In my depiction of Reggie, I chose to give him "devilishly good looks" Reggie doesn't have a big ego for no reason. He KNOWS he's Hot! The Reggie In my cartoon universe, also has shorted his name to REG after all, he was called "REGGIE" when he was a kid, but now that he's a suave hunk of riverdale beefcake , he needs a name to fit his suave persona.
In my depiction of Reggie, I chose to give him "devilishly good looks" Reggie doesn't have a big ego for no reason. He KNOWS he's Hot! The Reggie In my cartoon universe, also has shorted his name to REG after all, he was called "REGGIE" when he was a kid, but now that he's a suave hunk of riverdale beefcake , he needs a name to fit his suave persona.
Thursday, October 14, 2010
ipad cartoon BIG MOOSE From The Riverdale High Project Subwaysurfer
Riverdales High School Jock, BIG MOOSE, is one interesting character in the Archie Comics Universe. Moose is always drawn as this hulking dumb but lovable character, when if you really read the comic, he's anything BUT that. First off, He's at one time or another beaten up EVERY major Male Character in the Archie Comics universe, including some "red shirts" to use the star trek term, who appear every now and then, whose sole purpose is to be pounded by MOOSE. The cause of Moose's rage is his terrible temper as he calls it... we call it ANGER MANAGEMENT ISSUES... which is always ignited because he catches someone "lookin at Muh Gurl!" That "gurl" would be Midge, who seems nice enough, but suspiciously NEVER hangs out with Betty and Veronica... WHY is THAT?? I say it's because she's scared of MOOSE like everyone else is!! I mean if he's willing to pound someone who poses a threat to the object of his affection, what's he likely to do with the woman who breaks his heart? Midge isnt even THAT devoted to MOOSE. We see this as upon occasion sh has dated ARCHIE when He has successfully outsmarted MOOSE, and also doesnt mind talking to REGGIE... who is my next ipad target.
This is WAYYYY Too much thinking for one cartoon, but that tends to happen when I really get into a drawing.
This is why I drew MOOSE like the savage beast that I know that he IS!! The only think keeping the hapless males of RIVERDALE from sudden death is MIDGE! LOL!
ipad cartoon of ARCHIE ANDREWS from "THE RIVERDALE HIGH" project by Elgin Subwaysurfer Bolling
Been playing with this idea for a long time, and finally decided it would be fun to do with the ipad since it has all these crazy fun brushes. I always felt comic book icon, Archie Andrews of Riverdale needed a visual makeover, and while the whole gang has gotten an update lately in their comics. (yeah, I ADMIT IT! I STILL read ARCHIE COMICS!) although a little more realistic looking, they kinda look the same. I wanted to go with the "ARCHIE VIBE" but play with the proportions a little bit, and came up with this pic about 45 minutes later. This was a fun exercise which released my creativity, and gave me an opportunity to explore the Art Studio app further. I happen to like Art Studio a little more than the much applauded Sketchbook Pro App. Art Studio seems more intuitive for me in some way.
I plan on drawing the whole gang in The Riverdale High Series so stay tuned.

ARCHIE ANDREWS mystifies me. For all intensive purposes he should be the town nerd.Physically, His appearance is rather odd. Busy red hair , a big nose, an overbite, and freckles that decided to stay over on his face past childhood. Not to mention those thick black busy eyebrows of his. Yep, Archie SHOULD be the town Nerd, alright... But he isnt...He is a lovable Dunce who can afford a great car, is a klutz who cant to anything right, is constantly in trouble with his teachers and school principal for one mishap or another, and yet at the end of the day he has two of the most sought after girls in town competing for HIS attention, and if you read the comic like I do, he never seems to have trouble attracting female attention. He's even the rival of REGGIE MANTLE, Who is not only one of the COOLEST guys in the Archie Universe, but In my view, the PROPER match for Veronica. And Yet, Archie, in all his "dopiness" gets the girl.....
I get the old saying is true.
Some guys got "IT" and some guys Dont,
and in spite of his obvious shortcomings ARCHIE ANDREWS and Got PLENTY of that elusive "IT" that Most of us Males wish we had in High School.
I plan on drawing the whole gang in The Riverdale High Series so stay tuned.

ARCHIE ANDREWS mystifies me. For all intensive purposes he should be the town nerd.Physically, His appearance is rather odd. Busy red hair , a big nose, an overbite, and freckles that decided to stay over on his face past childhood. Not to mention those thick black busy eyebrows of his. Yep, Archie SHOULD be the town Nerd, alright... But he isnt...He is a lovable Dunce who can afford a great car, is a klutz who cant to anything right, is constantly in trouble with his teachers and school principal for one mishap or another, and yet at the end of the day he has two of the most sought after girls in town competing for HIS attention, and if you read the comic like I do, he never seems to have trouble attracting female attention. He's even the rival of REGGIE MANTLE, Who is not only one of the COOLEST guys in the Archie Universe, but In my view, the PROPER match for Veronica. And Yet, Archie, in all his "dopiness" gets the girl.....
I get the old saying is true.
Some guys got "IT" and some guys Dont,
and in spite of his obvious shortcomings ARCHIE ANDREWS and Got PLENTY of that elusive "IT" that Most of us Males wish we had in High School.
Wednesday, October 13, 2010
More NEw York subway caricatures
He Had GREAT Hair But Did NOT want to be Caricatured!!! LOL! He kept turning his head, changing his position and GLARING at me! LOL! He kinda reminded me of 1950's strongman, Steve Reeves, From those Hercules Flicks waaaaay Back in the day..
This Guy was from out of town, on his way to JFK at Howard Beach, heading back home to parts unknown. He had this look on his face that said, "HI, ENGLISH IS NOT MY FIRST LANGUAGE"
Wow, In all this digital caricature excitement, I totally forgot that I've been riding the subway and coming up with this great stuff here! LOL! Enjoy!
This Guy was from out of town, on his way to JFK at Howard Beach, heading back home to parts unknown. He had this look on his face that said, "HI, ENGLISH IS NOT MY FIRST LANGUAGE"
Wow, In all this digital caricature excitement, I totally forgot that I've been riding the subway and coming up with this great stuff here! LOL! Enjoy!
Digital Caricature Of Subwaysurfer By ANGIE JORDAN
Some days I just sit back and smile thinking to myself how GOOD it is to be ME! Not only have I been inspired by the best, taught by the best, but also DRAWN by the BEST! Since I'm featuring so many of Angie Jordan's Vids here, I thought it only right to Show off My personal Digital Caricature Done by Angie herself! I've have some great artists draw me before, but Angie captured that "something" in my expression that makes this picture instantly recognizable. What an inspiration! As far as my digital caricatures go, folks, THIS is what I'm shooting for.
RASTA MAN ipad Caricature by Subwaysurfer
HEY! I think Im getting to LIKE this Digital Drawing thing! LOL! Sketchbook pro has got the COOLEST painting tools that makes painting hair a pure joy! I cant WAIT to show you what Im coming up with tomorrow! Practice makes perfect and this pic only took me 30 minutes... not perfect, STILL a LOT of work to go on my painting technique, but Im coming along... step by step... pixel by pixel...BIG SHOUT OUT TO KENLY DILLARD, who gave me some much needed instruction on painting...
I'm beginning to get a feel for the Pogo stick...ugh... The trick seems to be to NOT STOP when you're doing the serious part of the drawing. I also see that I probably WILL be going the "cartoony route" when I do this live. I saw an excellent vid by Angie Jordan where she demonstrates this,and MAN does that Lady know her stuff!
I'm beginning to get a feel for the Pogo stick...ugh... The trick seems to be to NOT STOP when you're doing the serious part of the drawing. I also see that I probably WILL be going the "cartoony route" when I do this live. I saw an excellent vid by Angie Jordan where she demonstrates this,and MAN does that Lady know her stuff!
In search of the right Ipad Stylus...
It didnt take me very long to discover that the POGO STYLUS is NOT the best tool for drawing. It starts OUT well enough, fresh out of the box, and is good for about an hour of drawing, but its all downhill from there, IMO. The point of it literally drags across the screen, and is reminiscent of a giant cue tip. It just doesnt FEEL like a pen in your hand , and when I would hold my stylus at certain angles It had difficulty making a mark.
Needless to say, I am in search, like so many digital artists, who have come before, of the PERFECT STYLUS! at least for ME. I'm currently viewing as much material as I can on the subject, and of course I want the cost to be as minimal as possible, BUT am willing to "spend the money" just to find something that works.
For those of you who are ALSO looking, Maybe you may find the info below useful.
Gee... is it just ME, or did I actually make myself look like a Baby Gorilla in the caricature I drew of myself???
Needless to say, I am in search, like so many digital artists, who have come before, of the PERFECT STYLUS! at least for ME. I'm currently viewing as much material as I can on the subject, and of course I want the cost to be as minimal as possible, BUT am willing to "spend the money" just to find something that works.
For those of you who are ALSO looking, Maybe you may find the info below useful.
Gee... is it just ME, or did I actually make myself look like a Baby Gorilla in the caricature I drew of myself???
Ipad Caricature Cartoons by Elgin Subwaysurfer Bolling
At the urging of Angie Jordan, The Worlds First ipad caricaturists, I purchased sketchbook Pro, the digital program of choice among caricature artists, and went to work on my first.SERIOUS color caricature using the software and this device. Right now I'm getting over the learning curve of adjusting to the slight time delay of the Pogo Stylus as it draws on the pad, the location and choice of different brushes and settings, as well as the art of painting itself, which until now, I all but ignored. I started the above sketch at 9pm last night working slowly in layers first laying down the initial blue line sketch in one layer, then gradually building up the color on subsequent layers. For an artist like me, who prides himself on his speed and accuracy, the slowing down process took a LOT of gettig used to, but was very satisfying as I explored new ways to color and shape my drawing like some digital sculpture. I looked up and it was 11PM. Where did the time go? I wasn't tired, and determined to COMPLETE this drawing, I put my head down, grasped a cup of lipton and continued. The next time I looked up it was 5 in the MORNING!! I had literally been at this for 8 hours! This fact alone is phenomenal , as i am a BIG fan of getting a good nights rest, but like many people around the world, I am caught up in the ipads spell. It's not perfect, but Im very satisfied with the results of my second picture. It's GOT to get easier from here! I cant imagine going to a party and spending 8 hours on one face... unless its a very GOOD caricature!
WIth renewed confidence from the previous all nighter, I attacked this self portrait with gusto. As a result of my 8 hour ordeal, this painting came a lot easier, although it still wasnt QUICK. It took approx three hours to do. I wanted it to look kinda sorta realistic. Closer at least to how I actually draw caricatures. I can see by the way the materials perform, or at least the way I interact with them , that when I start using the ipad for party caricature I will probably lean more in the direction of cartoony caricatures, rather than the cartoon portraits that I normally do. On another note, I can see the ipad is excellent for making quick wireframe sketches and later printing out the result to go over in marker like I have done for years.
WIth renewed confidence from the previous all nighter, I attacked this self portrait with gusto. As a result of my 8 hour ordeal, this painting came a lot easier, although it still wasnt QUICK. It took approx three hours to do. I wanted it to look kinda sorta realistic. Closer at least to how I actually draw caricatures. I can see by the way the materials perform, or at least the way I interact with them , that when I start using the ipad for party caricature I will probably lean more in the direction of cartoony caricatures, rather than the cartoon portraits that I normally do. On another note, I can see the ipad is excellent for making quick wireframe sketches and later printing out the result to go over in marker like I have done for years.
Tuesday, October 12, 2010
Keep drawing... you really WILL Improve. Lessons from DJ DAZE By Elgin Subwaysurfer Bolling
The old adage, "Practice makes perfect" is a timeless truth that applies to any endevour, especially the art of caricature. Make no mistake about it, CARICATURE DRAWING IS NOT EASY. I meet folk all the time, most of them artists, who think that it is. Being able "to draw" doesnt always translate into being able to draw exaggerated, AND be able to get a dead on likeness. Add the additional element of a live screaming crowd, blaring music, and a time constraint of a live party event, and most of your artistic skills get left in the studio.
Ive seen it happen. It aint pretty.
Reflecting back on when I was a young caricature artist just starting out, I wanted to draw exaggerated right away, and in my arrogance, thought that just because "I could draw",that exaggeration would be another artistic skill I'd pick up easily, and add to my toolbox.
I struggled though, for many YEARS in fact.
I'm Really just beginning to understand how to do this.
A little.
But Ive also learned that we should despise our small beginnings, nor our baby steps. I found an old caricature recently in a sketchbook of DJ DAZE, who according to my blog stats, is a very popular picture that people come to check out.
DJ DAZE, is a Bodybuilder also, who I met several years ago while my son was in Hiah School. We were both attending a school play, and he was sitting next to me and I struck up a conversation which turned to caricature. I drew him that evening and gave him a copy of the picture after drawing one for myself. DAZE was a bodybuilder back then, as he is now , just a little smaller. As time went on, and as I went to several plays, Daze got bigger and bigger and my talent improved as well. I recall asking him and the picture you see posted is the result.
Daze's condition was remarkable, and was a perfect mirror image of how my own skill at drawing evolved over time also. While I was not lifting barbells, I was working out at the drawing board learning anatomy, exaggeration, and shading and the results were night and day. To me They appear to be drawn by different artists.
Im taking a long time to say that you really CAN improve IF YOU KEEP AT IT. Keep plugging away and keep continuing to push and challenge yourself as an aritst and you WILL improve if you don't quit.
Just ask DJ DAZE, he'll tell ya!
Ive seen it happen. It aint pretty.
Reflecting back on when I was a young caricature artist just starting out, I wanted to draw exaggerated right away, and in my arrogance, thought that just because "I could draw",that exaggeration would be another artistic skill I'd pick up easily, and add to my toolbox.
I struggled though, for many YEARS in fact.
I'm Really just beginning to understand how to do this.
A little.
But Ive also learned that we should despise our small beginnings, nor our baby steps. I found an old caricature recently in a sketchbook of DJ DAZE, who according to my blog stats, is a very popular picture that people come to check out.
DJ DAZE, is a Bodybuilder also, who I met several years ago while my son was in Hiah School. We were both attending a school play, and he was sitting next to me and I struck up a conversation which turned to caricature. I drew him that evening and gave him a copy of the picture after drawing one for myself. DAZE was a bodybuilder back then, as he is now , just a little smaller. As time went on, and as I went to several plays, Daze got bigger and bigger and my talent improved as well. I recall asking him and the picture you see posted is the result.
Daze's condition was remarkable, and was a perfect mirror image of how my own skill at drawing evolved over time also. While I was not lifting barbells, I was working out at the drawing board learning anatomy, exaggeration, and shading and the results were night and day. To me They appear to be drawn by different artists.
Im taking a long time to say that you really CAN improve IF YOU KEEP AT IT. Keep plugging away and keep continuing to push and challenge yourself as an aritst and you WILL improve if you don't quit.
Just ask DJ DAZE, he'll tell ya!


Ronald Mc Donaldhouse Fundraiser Caricature By Elgin SUBWAYSURFER Bolling
The Weather That day was GORGEOUS!!! Considering that the day before was raining cats and dogs in my neck of the woods, The Fact that it was a beautiful sunny , 68 degree day was a gift from God. I was hired by my agent, to draw caricatures two Saturdays ago for a fundraiser at Ronald Mc Donald house on The Fashionable East Side. I drew a lot of kids that day, but this particular couple stands out, being the only couple who stopped to be drawn. It was there first time drawing a caricature together and they were very much in love and it was apparent. I sang impromptu to the couple , and they both enjoyed it! For the lady, I sang Bobby Darin's hit, "Beyond the Sea" and finished off "my set" with Frank Sinatra's "I've got the world on a string" When I finished my serenade, I happily handed them the caricature and exclaimed, "Not only did I draw an excellent picture, but also created a memory for you two every time you hear that song! " That's why I DO with my art folks, I help to "DRAW PEOPLE CLOSER TOGEHTER" Pun intended!
FIRST IPAD CARICATURE by Elgin Subwaysurfer Bolling
Now that the excitement has worn off with my recent winning of the iPAD from authorSTREAM.com, I felt it was time to start learning how to use this thing to draw caricatures. I went to the APP Store on 14th Street and 9th ave in NYC , purchased a POGO STYLUS, downloaded Sketchbook Pro (At the urging of Angie Jordan) and started sketching. I looked around for a suitable , interesting subject and stopped at Apple worker, RYAN WEISMEIT. Ryan reminded me of grafetti legend, KEITH HARING, and I immediately approached him and commented on the resembulance.
Ryan, didnt know who Keith was, surprisingly, but was delighted that he looked like a famous person, and gladly posed for a picture. THIS was the end result of my FIRST iPAD Sketch, and I could tell that Im going to have a LOT of fun with this program. I I eventually went on to clean up my lines, and colored the picture in, but sadly I accidentally ERASED the finished illustration.
Apparently I need to practice a LITTLE more with my ipad to get acquainted!
Im still a little shaky on using the POGO on the iPad screen. Thee's a learning curve that I have to overcome before I'm at the point where I feel satisfied with my drawing style, but I wanted to share with you my progress as I continue to explore and improve. Stay tuned for some video Im putting togehter!
Monday, October 11, 2010
HOW TO DRAW HAIR step by step By Elgin SUBWAYSURFER Bolling
Hair can be a challenge to draw at live events especially if you're drawing AFRICAN AMERICAN HAIR Particularly on women and girls. Let me tell you folks, African Americans are world renknown for their creativity, the hair and the scalp is just another canvas! Drawing the confusingly intesne configuration of braids, curls and twists can frustrate even the most experienced artist. But if you have a PLAN it gets a whole lot easier. This is Legend, a beautiful young lady I drew recently at her birthday party, follow along with me step by step.
STEP 1
I start off by making a "wire frame" sketch of the face and the hair. I'm pretty loose at this stage and draw very quickly trying to get in as much "personality " into the pic as possible. I find that if I draw slower I lose some of that excitement. Even though I'm doing a "studio piece" of sorts, I still use a looser form of this initial "wireframe" sketch when I draw Live at events, using a light gray marker, or if Im drawing in color, a flesh colored art stixx.
STEP 2
Once Im satisfied with the wireframe, I begin to ink the drawing, making adjustments, if necessary, as I go. If Im drawing live, this is the stage where I give the person a second look, to see what I've missed. Im drawing here with a good ole' Black SUPER SHARPIE. I 've grown to like the consistent line it gives me, and unlike my favorite Tombo Brush pens, or Pitt Markers, SHARPIE has NEVER failed me, so I tend to stick with him these days. I give the face a LOT of attention at this stage, saving the hair for last, as I know it's the most challenging. At this stage, Im very careful to get the expression right in the eyes, and since this is a child I especially try to avoid drawing the chin too long , which "ages" a child with a single incorrect stroke of the pen.
STEP 3 and 4
In this close up Notice How I draw "THROUGH " the body. I know that Im going to fill in that area with black cater, so I dont worry about it at all. This young lady has dreads, and twists, which are rather large. in the old days I drew EACH INDIVIDUAL ONE complete with inking and it took a LONG time. It's a lot easier to relate to the hair NOT as "hair" but as a SHAPE. I look at the individual locks/strands/twists. like they are a type of container. Doing this helps me to become very loose with my drawing of the hair, and takes away that "stiff" look. Notice also how I've sketched the braids on the side of the head to follow the contour of the head shape. This is very important to get a more realistic effect.Ive also drawn each individual braid as an "X" which forms another "container" This process can be drawn surprisingly quickly. and takes the worry out of the inking stage to follow.
STEP 5
Inking is the fun part! For this job, the SUPER SHARPIE Marker is much too slow. For drawing hair I ALWAYS use Tombo Brush pens. The Brush allows me to use light quick, bold strokes, that add a sense of LIFE to the hair. Notice how I leave just enough white space to give off the illustion of light as it "shines" on the hair. Adding this illusion is very important, and a skill that you just must practice over and over again to get the right "feel"
I've found that if you dont include that "shimmering" quality to hair, your model will appear to be wearing a "plastic cap" that is "supposed to be their hair" Ive seen so many good caricature artists not give the hair the concentration and attention it deserves and ti weakens the drawing. When When doing the hair, try to have your strokes going in the same direction. This is one of the subtle ways you help to "lead the eye" of the viewer, and not create confusion. If you dont do this consistently, your viewer will think something is "wrong" with the picture but wont be quite able to put their finger on it.
STEP 6
The smallest braids on the side of the head can be inking with the Tombo as well, but a better choice is the smaller Pitt Pen. It's especially important when doing the braids to allow that "white space' arear in the middle to show, otherwise your braids will lose that 3D quality and will be a black mess... To make the hair even more realistic I take a fine point pen and draw "loose strands," of hair on each dread to make it appear more lively.
PRACTICE PRACTICE PRACTICE! Hair is difficult to draw AT FIRST, but once you get the hang of it,You'll [ut any hair designer to shame!
STEP 1
I start off by making a "wire frame" sketch of the face and the hair. I'm pretty loose at this stage and draw very quickly trying to get in as much "personality " into the pic as possible. I find that if I draw slower I lose some of that excitement. Even though I'm doing a "studio piece" of sorts, I still use a looser form of this initial "wireframe" sketch when I draw Live at events, using a light gray marker, or if Im drawing in color, a flesh colored art stixx.
STEP 2
Once Im satisfied with the wireframe, I begin to ink the drawing, making adjustments, if necessary, as I go. If Im drawing live, this is the stage where I give the person a second look, to see what I've missed. Im drawing here with a good ole' Black SUPER SHARPIE. I 've grown to like the consistent line it gives me, and unlike my favorite Tombo Brush pens, or Pitt Markers, SHARPIE has NEVER failed me, so I tend to stick with him these days. I give the face a LOT of attention at this stage, saving the hair for last, as I know it's the most challenging. At this stage, Im very careful to get the expression right in the eyes, and since this is a child I especially try to avoid drawing the chin too long , which "ages" a child with a single incorrect stroke of the pen.
STEP 3 and 4
In this close up Notice How I draw "THROUGH " the body. I know that Im going to fill in that area with black cater, so I dont worry about it at all. This young lady has dreads, and twists, which are rather large. in the old days I drew EACH INDIVIDUAL ONE complete with inking and it took a LONG time. It's a lot easier to relate to the hair NOT as "hair" but as a SHAPE. I look at the individual locks/strands/twists. like they are a type of container. Doing this helps me to become very loose with my drawing of the hair, and takes away that "stiff" look. Notice also how I've sketched the braids on the side of the head to follow the contour of the head shape. This is very important to get a more realistic effect.Ive also drawn each individual braid as an "X" which forms another "container" This process can be drawn surprisingly quickly. and takes the worry out of the inking stage to follow.
STEP 5
Inking is the fun part! For this job, the SUPER SHARPIE Marker is much too slow. For drawing hair I ALWAYS use Tombo Brush pens. The Brush allows me to use light quick, bold strokes, that add a sense of LIFE to the hair. Notice how I leave just enough white space to give off the illustion of light as it "shines" on the hair. Adding this illusion is very important, and a skill that you just must practice over and over again to get the right "feel"
I've found that if you dont include that "shimmering" quality to hair, your model will appear to be wearing a "plastic cap" that is "supposed to be their hair" Ive seen so many good caricature artists not give the hair the concentration and attention it deserves and ti weakens the drawing. When When doing the hair, try to have your strokes going in the same direction. This is one of the subtle ways you help to "lead the eye" of the viewer, and not create confusion. If you dont do this consistently, your viewer will think something is "wrong" with the picture but wont be quite able to put their finger on it.
STEP 6
The smallest braids on the side of the head can be inking with the Tombo as well, but a better choice is the smaller Pitt Pen. It's especially important when doing the braids to allow that "white space' arear in the middle to show, otherwise your braids will lose that 3D quality and will be a black mess... To make the hair even more realistic I take a fine point pen and draw "loose strands," of hair on each dread to make it appear more lively.
PRACTICE PRACTICE PRACTICE! Hair is difficult to draw AT FIRST, but once you get the hang of it,You'll [ut any hair designer to shame!
Friday, October 08, 2010
CARICATURE EXAGGERATION 101 HOW TO DRAW EXAGGERATED by Elgin subwaysurfer Bolling
Okay Folks, I'm about to give away another of my caricaturing secrets so listen up, get your notebook out and start writing....
Make no mistake about it, CARICATURE DRAWING IS HARD WORK. Unlike most forms of art where you have the TIME to assess, re interpret , and re adjust your work until it's Juuuuuuust right, Caricature drawing, especially LIVE party caricature drawing happens right in front of you, LIVE with "No net" what you see is what you get, and your LAST drawing has no bearing whatsoever on what you will be able to do next, because its a different face.
In caricature you have to have the skill of a portrait artist, a cartoonist, and a little bit of a lunatic to do it right. There IS "no real school " for this, and yet, in order to LEARN you have to have SOME sort of method, so here's one of mine.
DRAW YOURSELF FOR 30 DAYS STRAIGHT
When you first start you will probably do something that looks like a portraitm maybe a cartoon or two. But THAT will get old fast, remember, you have 30 days to do this. What you will find that you MUST do is FIND different ways to exaggerate yourself, and STILL make it look like you. Going through this process will FORCE you to think creatively, and think of NEW approaches to caricature your facial features. Even though YOU are the subject, the lessons you will learn in the next 30 days will carry over to how you caricature other people.
I guarantee it.
Just look at the video to see a few of my approaches.
Thursday, October 07, 2010
Why I'm a Cartoonist Part 1 of 4 Check Out JEFF TAYLOR by Elgin Subwaysurfer Bolling
Ran Across Jeff Taylor while surfing aimlessly on Youtube and was intrigued by the title, WHY I'M A CARTOONIST. I was initially prepared to hear some big shot, or big shot wanna be cartoonist pontificating on how he's great, blah blah blah....instead, what I heard was a very very initiate, highly personal account of one man's journey to define himself as a person and as an artist. His account was riveting and compelling in it's honesty and transparency. Jeff "lays it out there on the line" and holds nothing back in the interview. It's so honest and personal you want to turn away. It's like you're in a confessional booth taking on the role of priest, or sitting across the table with a good friend who sharing with you his life and his dreams. I found a lot of parallels in Jeffs journey as an artist and a person with my own life and it caused me to reminisce and be glad and sad at the same time. In the end, I ended up becoming a subscriber to his channel, and even uploaded a view vids to his channel, not so much as a marketing ploy. but as a form of sharing and appreciation. I hope he shares and posts them.
This is part one of a series of four vids that I HIGHLY encourage you to check out on youtube back to back when you get a chance so that you will get the full emotional impact of who Jeff Taylor is. Believe me, he wants you to know, and you'll be glad you did.
BRUCE BLITZ INTERVIEW!! By Elgin Subwaysurfer Bolling
THE QUESTIONS
Hi! As Promised, I caught up with Bruce Blitz, who was gracious enough to grant me a short interview. Bruce, I realize Im asking you questions that may give others the secret of your success, so feel free to be as vague as you want! LOL :
It must have been challenging at the time as a relative unknown artist to get his own TV SHOW that showcased his art HOW did you do this?
You’re obviously a marketing genius by evidence of the fact that your products have remained in the marketplace for so long. What do you attribute to that success?
Did you come up with these lessons on your own?:
Who were/are YOUR artistic inspirations?:
A lot of people don’t know this about you, but you’re a concert pianist, and a GOOD one. I’ve heard you play. With the way technology combines, visual images, and sound and movies, are their any plans to do anything that integrates your music with your cartooning?:
A lot of people don’t realize that you are also a caricature artist. I know these a section in one of your books that showcase your work, and Ive seen it personally at NCN Conventions. Are you Still doing that?:
Any current projects or recent successes that you’d care to share with us?:
Hi! As Promised, I caught up with Bruce Blitz, who was gracious enough to grant me a short interview. Bruce, I realize Im asking you questions that may give others the secret of your success, so feel free to be as vague as you want! LOL :
There is/was no secret to my success. I just worked hard. I will say though... that I changed the way that I approached things like organization, diligence and a different way of dealing with things like rejection and bumps in the business road. I didn't used to be that way but knew that I had to learn those things if I wanted to get ahead. I read a lot of success type books around that time.
It must have been challenging at the time as a relative unknown artist to get his own TV SHOW that showcased his art HOW did you do this?
It was hard, but as I said, I learned to not let rejection get me down. I just kept trying. Before I knew it I wasn't as unknown anymore and things got easier! It's a momentum thing.
You’re obviously a marketing genius by evidence of the fact that your products have remained in the marketplace for so long. What do you attribute to that success?
I was not a marketing genius. Quite the opposite. People only see the results of what DID work, so quite naturally they think that it was easy for me. I made many mistakes and learned on the fly. I didn't give up. Sometimes we, as people, like to think that someone who succeeded at something (it could be anything) had some extra special super power..it let's all of us off the hook for ever trying. Like "Oh, I could never do that...blah blah"
Did you come up with these lessons on your own?:
Yes, I created the material for my books, kits, videos and Television series based on how I thought as a kid about cartooning. I aways try to remember to include the basics in my lessons. It's easy for someone who knows how to do something well... to forget how at one time they didn't know where to begin. I tried never to lose that way of thinking.
Who were/are YOUR artistic inspirations?:
I grew up on MAD magazine and DC comics and Marvel and anything with cartoons on or in it!! I really like Jack Davis, Drucker and the list would be too long, but you get the idea.
A lot of people don’t know this about you, but you’re a concert pianist, and a GOOD one. I’ve heard you play. With the way technology combines, visual images, and sound and movies, are their any plans to do anything that integrates your music with your cartooning?:
Thanks but I am not concert level at all. I can't read music. I played in rock bands since the 1060s. I wrote and performed all the music for my videos and my TV series "Cartooning with Blitz". My music was nominated for an Emmy...(which I didn't win @#$%^&!)
A lot of people don’t realize that you are also a caricature artist. I know these a section in one of your books that showcase your work, and Ive seen it personally at NCN Conventions. Are you Still doing that?:
;I own and operate 2 caricature concessions at Citizens Bank Park, the home of the Phillies! This is our 7th year. I drew there for the first 3 years but not so much now. I love drawing caricatures!!
Any current projects or recent successes that you’d care to share with us?:
I am working on many new projects that will be out soon!!
What’s the single most important thing a professional artist needs to do to be successful?:
To remember that even Jack Davis started at the beginning once! Every professional was once an amature. I could go on spouting motivational sayings here but will spare you. Let me just say practice is the key!!
Bruce I’ve already informed my readers, about how you were impressed with my work after viewing it some years ago, so…. If you want to give a review of My work, and your impressions , feel free to do so now…. Basically I’m asking for a shameless plug, here, GO!! :
I am a huge fan of Elgin's work! I remember when I first saw his drawings. The bold line and direct approach to what/who he was drawing caught my eye immediately. It's real cartooning. He is a great "cross hatcher" too. His work stands out because it doesn't look like anyone elses and is funny. His sense of humor together with his drawing style is what cartooning is all about...a funny drawing expressing a funny idea!!! Keep on cartoonin' Elgin!!
Your friend Bruce Blitz
Thank You Bruce, for taking time out of your busy schedule to do this interview! there was certainly a LOT to learn! First off, Bruce's success did NOT come overnight, he did not "get a lucky break" but created his OWN luck by showing up, trying new things, failing, and then trying again. As he pointed out we only SEE the RESULTS of his SUCCESSFUL efforts, not his failures that led up to that success and made him wiser.
Whats also important to point out is the value of using ALL of your skills in order to promote your product. I'm sure that if Bruce would have had to hire a "professional musician" to do his music ,the cost would have been considerable, and someone ELSE could have bragged that they helped to "make the show successful". It Pays to be a do it yourself-er, and although Bruce ISN'T by his own admission a Concert Level Pianist, HIS ORIGINAL MUSIC was good enough to get an EMMY NOMINATION! You Go! BRUCE!
Wednesday, October 06, 2010
Lessons Learned at a BAR MITZVAH by Elgin Subwaysurfer Bolling
"That doesn't look like me!"
I cannot tell you how many times that I've heard THAT line, and it always comes from a person that I drew a "dead on" Likeness of. The fact is, that MOST people do NOT have a realistic objective, visually assessment of how they look,mostly because of a inflated ego or because they're not used to seeing their face at a three quarter angle.
Whatever their reason, I usually just ignore remarks like these, smile, and happily hand the person their "drawing that doesn't look like them".
This time, however, it was different.
This particular young man at the Bar Mitzvah looked at my drawing and pointed out things that didnt match up with his face. He did this so honestly and respectfully, that I was compelled to listen, and did. Apparently, this youngster had the presence of mind to know EXACTLY what he looked like, and what's more, he ACCEPTED himself, for who he was and how he looked.
I drew him over.
The results were fantastic.
He was very pleased with the corrected drawing, and once I had something to compared it with, I saw IMMEDIATELY everything I had missed.
How could I have been so Blind?
Arrogance.
Sometimes we caricature artists get so caught up in "doing our art" that we can get into a mode where we just "give people a picture" not CARING if it LOOKS like them as long as it's "in the neighborhood".
I dint know I had been guilty of that, in THIS picture(Let's not get it twisted folks, the Subwaysurfer RARELY makes drawing mistakes at parties)
This Young man because of his honesty, taught me a valuable drawing lesson. Dont take your subject for granted. The most important person to draw is the one that is in front of you at the moment. Concentrate, REALLY SEE them, and then draw them like they're the only person in the room. If you do that, I learned, the results can be very satisfying. After all, that "bad " caricature you draw is going to have YOUR name on it. Your name is worth protecting.
So The NEXT time I hear,
"It doesn't LOOK like me"
I'll STOP and CONSIDER it!
Unless of course, you're in complete denial!
THE BIG BOOK OF CARTOONING by BRUCE BLITZ
Bruce Blitz is one of my heroes. First off, the man is a marketing genius. Bruce's popular How to draw Cartoons books, videos, have been staples in Art Stores for years, and can even be found at major retail stores around the country and especially in the NYC area. He is also an Emmy award winning TV Personality and his show has captivated youngsters for years, and now that he's online , his work will live on forever.
What I personally find most remarkable about Bruce is that he started his media campaigning, his personal "Branding" of himself and his work, at a time when these concepts, although common place today, were relatively unknown, and under used by individual professional artists. Bruce, IMO is the undisputed heavyweight champ of how to promote yourself as a professional cartoonist. I certainly have learned a lot from him.
Most artists may "pass off" Bruce's style as being "too retro" "not contemporary enough" for today's generation who likes their artwork, especially caricature and cartoons, "more extreme". It would be a mistake, to "sleep " on Bruce's ability, as he is able to draw caricatures with the best of them. I KNOW, because I've seen it.
I Met Bruce Blitz years ago at a Las Vegas Convention held by the NCN The National Caricaturist Network , Now known as the ISCA The International Society of Caricature Artists. I was very excited to meet one of the "ICONS" of the profession, and found him surprisingly, for a celeb of his stature, approachable. Bruce wrote me a few weeks later following that Convention, telling me how much he enjoyed my work. Although he loved my caricature work, he assessed me as being what he called "a cartoonist FIRST" which was something I hadn't at the time, discovered, but once he SAID it, I understood immediately. He further went on to say how much he liked my cartooning and how he was routinely checking out my blog, even at one point, offering me caricature work in his neck of the woods. I was trilled that a "little nobody" like me, .....heh... at the time......had made such an impression on a guy with the stature of Blitz. It gave me the confidence to push ahead through many nights of disappointment, and frustrations, to become the artist that I am today. Bruce Blitz, is truly one of my caricature cartooning mentors, and I owe him a lot.
Im hoping in a future blog post to have a s short interview with Bruce if his schedule permits. Stay tuned. this will definitely be worth checking out!
In the meantime, be sure to check out the youtube link of Bruce's cartooning series, and look at his other work as well. You will be inspired too, just like the SUBWAYSURFER Was!
Subscribe to:
Posts (Atom)