Back 2 the Subway!!!

Oh man! nothings changed! they're still funny lookin! This guy reminded me of a teenage throll!
Is it ME or does this guy look like a reject from the movie , "Gremlins?"

NEW YORK COMIC CON 2008!! oNE mORE mONKEY!!!

Time to let the memory go......sigh....

NEW YORK CITY COMIC CON 2008 !! Lar deSouza

I was surprised to run into one of my caricature mentors , Lar deSouza, a brillant Canadian artist, (not that there's anything WRONG with being a Canadian)who I didnt know drew comics also. Since 2003, Lar, along with author Ryan Sohmer , has been delighting audiences on the web with the adventures of Rayne Summers, a modern-day Casanova. The name of the comic is
"Least I Could Do (LICD)" and judging from the line of adoring fans at his table the series has a large fan base. I got a kick out of Lar's fans requesting merchandise, buying books getting autographs and sketches and not ONCE asking for a caricature! It was a mindblower! of course, I got MINES Done though.
Lar is a sweetheart of a guy, He just LOOKS like a missing link that will tear your head off....

NEW YORK CITY COMIC CON 2008!!! Kyle Baker

Kyle Baker, like Lar , is also one of my mentors (you're allowed to have as many as you want in the United States) Ive always like the way he "lets his cartoons be cartoons" Hilariously drawn with impossible anatomical proportions, Kyle is a caricature artist at heart, whether he knows it or not. His clean , lyrical style has the feel of an animated cell drawing frozen in time. Its a joy to look at.

IMO he was the first artist who got Plastic man "right" in terms of look and style, and his autobiographical comic series, The Bakers,really hits close to home being a family man myself.

I bumped into Kyle, his wife and daughter just as they were packing up from Artists Ally. The moment I saw hi I didnt really see "him" I saw his cartoon of himself. Kyle's cartoon persona reminds me of those characters that were drawn on those old "RAID" Roach commercials....
Dont be mad at me for sayin that Kyle!

Promoting the SPACE CHIMPS movie at the NEW YORK CITY COMIC CON 2008!!

Once i get started doing caricatures I ALWAYS get so into it that I literally forget to take pictures. I managed to snap only a few shots and will post some memory drawings later along with photos of people I drew.
When I first started i went into "traditional " caricature mode and they still looked kinda human to me, then things began to change up a little. Heres a picture of my first customer My 2nd and then my third... by the third I was in the groove with no turning back!

NEW YORK CITY COMIC CON 2008! Space chimps characterss

Heres a sneak peek at what the characters of the new Space Chimps film look like. They're sooo cute you can almost smell the merchandising items that are going to explode on the scene in the next few months. Stuffed animals,cups and party items, halloween costumes, dont even get me started on happy meal toys at Mickie Dees!.... maybe even poseable action figures.... Hmmm... maybe I can get some freebees....

NEW YORK CITY COMIC CON 2008 My official Starz Media/manga.com Badge

I know it's sentimental, but this was really a great gig! what can I say? bear with me as I savor the moment....

NEW YORK CITY COMIC CON 2008!!

Just returned from Booth 841 at The Annual NYC Comic Con at Jacob Javits Center. I was hired by the great folks at Starz Media/Manga.com , to help promote the upcoming 3D animated movie, SPACE CHIMPS due for Release on July 18 this year.

Check them out at http://www.spacechimpspower.com/
Or just hit the spacebar link on the right side of the blog page.

My job was to draw caricatures of people and turn them into monkeys! Not ONE complaint about exaggerations today and yesterday!
I worked with another very talented caricature artist, Marlene Kryza (http://www.marlenekryza.com/) who worked one side of the booth/space/area while Worked the other end, and boy was I glad she was there! pretty soon we were up to our elbows and eyeballs with many adoring fans, who literally spilled into the booth to get drawn, watch the film trailer, and pick up the promo materials , much to the delight of the folks at Starz Media! At one point we became SO popular that it caused a bottle neck of sorts inside the booth and it was actually TOO jammed! I guess you can say that people REALLY wanted me to make a monkey outta them! this was such a great idea, that I may use this idea for future gigs!




Will post more later

Caricatures of ME... again.....

I always make it a point to continually draw myself. It helps that Im always here so I never lack a subject. Hope you like...

Love your Doo too!

Sporting that New Subway Hair Doo!!

Even when i see it with my own eyes, I'm still amazed at the things people do with their "DOO" The top of his head looks like a house plant...
I used an old 0.5 Bic Mechanical Pencil that can be purchased at any stationary store. I'm really surprised at the results. The paper was 8X11 coverstock paper.

NEW YORK CITY Street Caricatures!

These two dudes Happily posed for caricatures on the street and even let me take their photos which in NYC is rare! LOL! Gave em both the pencil treatment

scarey ugly subway man

I admit it, I was afraid to look at him, so i drew most of it from memory....

Caricature of Bodybuilding DJ DAZE! Jusdaze@aol.com

One of the few Exaggerated caricatures that a person ASKED for! This is Bodybuilding DJ DAZE and MAN is he big!!

DAZE can be reached at 718-666-0414 or at Jusdaze@aol.com.... He's based in Queens(and will travel anywhere) and unlike most DJ's who have forgotten and neglected the art of freestylin on the mike, DAZE still does it and will put your eardrums in a trance!


I had great fun doing this!Daze has a lot of great angles on his face that caricature artists like me LOVE to exaggerate, and the fact that he's a bodybuilder makes for even more of a hilarious picture. I usually just do heads, but Couldnt resist drawing the body in too this time. If he doesnt like his picture, he'll squash me like a bug....

AMAZING 8 YEAR OLD PROFESSIONAL ILLUSTRATOR

People often ask me the question, "When did you become a Professional Artist?" I always tell em that it was when I was 8 years Old. Since I'm also asked to prove it, I have provided, in this post, 'Proof". This is the cover of a book I drew for The City Schools Curriculum Service Inc. Entitled, "Mother, These are my Friends" By author, Mary Anne Gross.It was written in 1969 during the turbulant years of the Viet Nam War, The Black Power movement, The King and Kennedy Assassinations .
Opps! I just realized that I told my age! alright I admit it! I'm an old bat!!

Ugly and Dangerous subway commuter

Er....He didnt LIKE being observed....... Caricature drawing can be dangerous in the city.
I Must be truely addicted to what I do since i dont mind the scowls and stares I get from people. Sometime a face is just so compelling that I gotta draw it! On the real side though i SHOULD be a little more discriminating since some people who ride these subway trains are trying to hide out, escape from someone, high on something, or even armed.... but you already KNEW that, I mean this IS Noo Yawk right?

One more thing...
Is it ME or does this dude KINDA look a little like Homer Simpson?

Behind every great subway sketch there's a gesture drawing....

I'll let you in on a little secret... it's HARD drawing on the train. Most people who ride the A Train "know" me by now, and as soon as I come out with the sketchpad, people start moving! LOL! This has gotten so frustrating that I've found that I need to do a very quick 30 second gesture drawing just to catch them and then go back and refine the drawing in my studio, or fro the remainder of the ride.

One of the great things about The NCN (The National Caricaturists Network at www.caricature.org, ) is their annual Speed competition that's held every year. I NEVER win this thing(sob, sob sob) but it has given me an appreciation for drawing FAST getting in essential details and streamlining features. If you compare the two drawings, I've only deviated a little as far as exaggeration goes, but still have the same basic info based on my gesture drawing blueprint.

Gesture drawing is a basic skill that all artists should practice all of their lives. Animators swear by it for helping them to get "life" into a pose, and I agree that it should be used as more than a "warm up" as most artists use it for.

I'll post other before and after sketches in future posts.

In case you're wondering the medium I used, Its an old reliable #2 Pencil, a 6B Woodless pencil, and drawn on 8X!! Cardstock.

Wonder Woman!!!!

I found this great site called the BBWW:The Big Beautiful Wonder Woman Blog,where guest artists are encouraged to draw their REALLY Amazonian renditions of everyone's favorite female comic heroine.
My sketch isnt officially on the blog yet, but I couldnt help showin it to ya. It was great fun to do!
At first glance the site seems to be nothing more than a "spoof site" to draw an overweight picture of Wonder Woman. But then I got to thinking about the whole "fat phobia" issue we have here in this country. Can a person be considered "heroic" if they dont fit into the norm of what coventional beauty is? How often do we associate so called "fat" people with being dumb, having low self esteem , and being lazy? by the same token, how often do we attribute positive attributes to people who are in so called "shape?" It's interesting. Can a large woman be considered attractive, heroic, even sexy?Just something to think about.
Nevertheless, I AM a CARICATURE Artist, and I cant help making a joke about my picture, but it AINT a "Fat Joke".
In this pic Wonder Woman is pissed because She forgot where she parked her invisible plane, and is now late for her lunch date.(even big girls gotta eat, right?) If he doesnt find her ride soon, SOMEBODY is gonna get whupped with dat yellow lasso!

Keith Haring Subwaysurfer Caricature Connection

I began thinking today about my artistic influences today and came up with some surprises. While it's true that I owe my development as a caricature artist to many of the artist I've spoken about in the caricature community listed on this blog, I thought back further and came up with a name I hadn't thought about in a loooong time.

Keith haring.

In the 1980's Haring was tagging like MAD in the subway system in a very unique way. Instead of using markers spray paint and using the metal trains for a canvas, Keith used simple chalk and the vacant black advertisement space reserved normally for corporate advertisements.

I used to see Haring's stuff occasionally while a student at Hunter College, and was inspired by his iconic drawings. In my search for my own artistic identity, I began to copy his work to the point of obsession.
Harings work had a simple Primal-esque quality to it that was immediately accessible. whether you were a seasoned or just a casual observer, you left one of his drawings with the feeling that you could reproduce it. You didn't get that feeling when looking at the awesome graffiti lettering and characters drawn on the trains. Haring's art seemed to be "in reach" of your ability. When You tried to do similar work however, it was THEN when you saw how complex it was. Well before he was "discovered" by the art world, haring already had a legion of fans, and I was particularly impressed when he said that most "big " people in the art worked didn't like him because he didn't "need" them to "make him a success"

Here's a quote from Harings website:

"...I think that in a way some [critics] are insulted because I didn't need them. Even [with] the subway drawings I didn't go through any of the 'proper channels' and succeeded in going directly to the public and finding my own audience...I bypassed them and found my public without them. They didn't have the chance to take credit for what I did. They think that they have the role of finding the artist...and then teaching the public....I sort of stepped on some toes..."16



I wanted my work to have that same power. At the time caricature drawing was not even a blip on my artistic radar screen, but now that I'm doing it, I feel like I am in some small way embodying the "spirit" of Harings work. Following my own vision, using the subway as a vehicle for personal artistic growth and expression. Perhaps one day I will get "discovered" like Haring. I certainly am counting on it.
I often wondered how would Haring have drawn me? He undoubtedly would've used a chalk line on a black background.
This is my fantasy " Haring chalk Drawing "
Check out More of his work by going to his Link on the right side of the page.

three views of my self...

These drawings are part of a series I did last year entitled 30 days... In it I drew myself for 20 days to see what would come out and also in an effort to help myself break through the exaggeration barrier. In this project I drew myself while in different moods. Here I caught myself in a very depressed mood, an extremely angry mood, and a happy/zany mood